Dialogue
Editing and cleanup, including heavy repair work in iZotope RX. Location noise, room mismatch, and clips other people have written off.
Sound post · London
Sound editor · Mixer · Sound designer
Hi, I’m Davide.
I’m originally from Italy, and I got into sound through music, starting with guitar at school before moving into DJing and music production, until I discovered sound design for film. I was hooked. What really drew me in was discovering how sound can give life to a picture, shaping the emotion, space and energy of a scene.
I’m now based in London, working across film, documentaries, commercials, branded content, podcasts and audiobooks. I’m also co-founder of Directors & Sound, where I collaborate with composer Steven Villacis on bespoke original music and scoring.
A selection of sound editing, mixing and sound design work.
Send me up to sixty seconds of a scene or piece you're working on — something that isn't quite landing yet, or something you'd simply like to hear another creative take on. I'll rework it and send it back, no charge. Easier to hear the difference than to read about it.
davidelauritosound@gmail.comA real dialogue-cleanup example. Switch between the untreated recording and the finished result while it plays.
Use the player controls to pause, rewind or scrub, then switch between Before and After at the same point.
Use the player controls to pause, rewind or scrub, then switch between Before and After at the same point.
Editing and cleanup, including heavy repair work in iZotope RX. Location noise, room mismatch, and clips other people have written off.
Built from scratch when there's nothing usable on the plate. Impacts, atmospheres, textures, and the shaping that makes a scene land.
Editing and fitting recorded Foley to picture so movement, timing and perspective sit naturally in the scene.
Editing and shaping sound effects to picture, from detailed sync work to broader atmospheres and scene-building.
Stereo, 5.1 and Dolby Atmos. My own room for most work, with access to a 7.1.4 Dolby Atmos stage on an Avid S4 on request, for projects that need the bigger room.
Editing and cleanup for podcasts.
Editing and cleanup for audiobooks.
Most projects are handled from my London studio. When a project needs the bigger space, I book a 7.1.4 Dolby Atmos stage on an Avid S4.
My regular base for editing, sound design, dialogue work and mixing.
Access to a 7.1.4 Dolby Atmos stage on an Avid S4 when a project needs the bigger room.
Available for freelance sound post work across film, commercials, branded content and podcasts.
I strip the audio off a scene and rebuild it from nothing. Every footstep, every room, every impact, built from scratch against picture.